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Lee’s contribution is often overlooked, but her uninhibited vocals opened way for a whole generation of British singers. Bossa Nova gets a look in on All Gone Away, and the brilliantly titled Dropping Bombs On The White House is pure jazz.ĭee C. Stylistically they were game for pretty much anything from the straightforward pop brilliance of Headstart For Happiness as a simple guitar riff battles with a tasty organ motif, but with the sound of freedom in the vocals. It’s Talbot’s gift for melody, and the fact he totally bought into this new visions of melding art, style, politics to pop music, that allows Weller to fly, but the former Merton Parka comes into his own with some smart playing on instrumentals like the jaunty Party Chambers. You can feel Weller enjoying being able to play all the new textures his new bandmates bring to the party on tunes The Paris March as Talbot’s subtle organ playing serenades his new mate on a metaphorical stroll around the Left Bank of the Seine. They even get away who some of those horrors on the still beautifully languid Long Hot Summer where Talbot throws some synth into the mix. There are songs like Wanted or Why I Went Missing where awful 80s slap bass, Linn drums or the squeaky clean production of the period rear their ugly heads, but on the whole these well-crafted tunes stand up surprisingly well. Lee and drummer Steve White just worked, producing four great albums, and a sackful of classic pop hits. Hooking up with keyboard maestro Mick Talbot, his future wife Dee C. Nevertheless it was a gamble dissolving a band that was scoring plenty of hits, but instinctive artists like Weller – and Bowie before him – are prepared to reinvent themselves, but this was no Tin Machine. Even in the early days of The Jam they were covering soul hits like Heatwave, and horns had crept into their later work, so the switch in 1983 wasn’t the disastrous leap some of his fans thought it was… and some still do.

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Sadly only the truly hard of thinking could have failed to spot this was going to happen as Weller was always as much a Mod as a punk. Music fans of a certain vintage will remember the outrage as Paul Weller went from being Britain’s angriest young man to a suave soul boy swanning around in a trench coat doing The Paris March.